Tue. Apr 7th, 2026

Pet Shop Boys review – no hits? No problem on first night of a masterful obscurities run

At the Electric Ballroom, London, dedicated fans of the iconic duo were thoroughly indulged during the inaugural night of an intimate five-day residency. They were treated to a rich selection of rare tracks, offering a fresh perspective on the band’s renowned history. “Tonight…” Neil Tennant announced with a smooth pause, “no hits!” The audience erupted in cheers. “B-sides?” he teased. “Album tracks! And what we’re calling – though it’s really both of those – fan favourites.” It’s an unusual event when the lead singer of a historically significant pop band can promise the absence of their most famous songs – ‘West End Girls,’ ‘Always on My Mind,’ ‘Rent,’ to name just a few of dozens – and still receive such an enthusiastic reception.

However, the Pet Shop Boys have been touring with their ‘Dreamworld’ greatest hits show since 2022, a production that has barely included material from their excellent yet underrated 2024 album, ‘Nonetheless,’ let alone many other lesser-known tracks. While casual fans of the Pet Shop Boys have been well-served in recent years, their most ardent ‘ultras’ have perhaps felt a little neglected. This five-night series of intimate concerts at Camden’s Electric Ballroom aims to rectify that, delving into the band’s less-explored repertoire. This series also serves to promote a new book detailing their highly intentional visual history, and in typical one-word fashion, the tour is simply titled ‘Obscure’.

Neil Tennant and his synth counterpart Chris Lowe had previously disclosed that they had rehearsed 35 potential songs from their 42-year career. Yet, their enduring dedication to the single format, with its carefully crafted B-sides and remixes, means the possibilities are virtually endless. One fan even compiled a pre-show playlist featuring 226 “B-sides and non-singles,” and still doubted its comprehensiveness. Tennant kept a tray containing the lyrics close by – a sensible precaution, given that two songs performed tonight were live debuts, while others were making their first appearance on stage in decades.

By Rupert Blackwood

Investigative journalist based in Sheffield, focusing on technology's impact on society. Rupert specializes in cybercrime's effect on communities, from online fraud targeting elderly residents to cryptocurrency scams. His reporting examines social media manipulation, digital surveillance, and how criminal networks operate in cyberspace. With expertise in computer systems, he connects technical complexity with real-world consequences for ordinary people

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