Chinese-American composer Tan Dun, whose evocative scores for films like Ang Lee’s “Crouching Tiger, Hidden Dragon” and the ceremonial music for the 2008 Beijing Olympics have garnered widespread recognition, continues to captivate audiences with his innovative works. With an illustrious career that includes commissions for classical megastars Yo-Yo Ma and Lang Lang, a full-length opera for the Metropolitan Opera, and even an Internet Symphony for Google/YouTube, Tan Dun’s latest offering, “Choral Concerto: Nine,” arrived with considerable anticipation.
Commissioned to commemorate Ludwig van Beethoven’s 250th anniversary, “Nine” draws parallels with the grand scale of the Viennese master’s final symphony, demanding similar orchestral and choral forces – significantly augmented by an impressive array of additional percussion. The concerto, which immediately showcased its captivating appeal, received its UK premiere under Tan Dun’s own expert baton. The London Philharmonic Orchestra, its stage expanded to accommodate a formidable battery of drums, was powerfully joined by the combined London Philharmonic Choir and London Chinese Philharmonic Choir, forging an immersive and dramatic soundscape. This performance vividly highlighted Tan Dun’s characteristic blend of theatrical flair, intricate rhythmic patterns, and a distinct contemporary sensibility, leaving a profound impression on the audience. The work featured dramatic inhalations and subtle hints reminiscent of Mongolian throat singing, adding layers to its rich texture.