The art world descended upon Venice for its biennial celebration of visual arts, a prestigious event where nations vie for recognition with their national pavilions. Often described as an “orgy of contact and communication” by art historian Lawrence Alloway, this year’s Biennale, featuring 99 participating countries including newcomers Somalia and Qatar, was profoundly marked by the recent passing of its curator, Koyo Kouoh. Kouoh envisioned an exhibition focused on “enhancement,” with a central show titled “In Minor Keys.”
However, the spirit of artistic exploration was punctuated by a volatile confluence of politics and protest during the preview week. The activist group Pussy Riot made their presence known, demonstrating against Russia’s inclusion. Furthermore, a strike on Friday, organized in protest of Israel’s participation, led to the temporary closure of several national pavilions, including those of the UK, Austria, and France.