Northern Stage, Newcastle
This revival of the carnivorous plant caper showcases strong voices, incorporates playful designs, and splits Audrey II in two.
While a high-tech, futuristic interpretation of Howard Ashman and Alan Menken’s 1982 musical about a bloodthirsty plant is conceivable, aiming for a “2026” feel, the beloved B-movie aesthetic, a nod to Roger Corman’s 1960 film, is integral to its appeal. Thankfully, this production, a collaboration between Northern Stage and Derby Theatre, directed by Sarah Brigham, embraces this charm. It’s a commendable production, though perhaps not a groundbreaking one.
For the most part, the staging revels in the low-budget, kooky absurdity of a narrative where a mysterious shrub dramatically alters the fortunes of Seymour, a struggling florist infatuated with his colleague, Audrey. This particular rendition leans slightly towards a lighter comedic tone, and the more sensitive aspects of the plot, such as Audrey’s experiences with domestic abuse, are consequently downplayed.
English Translation:
This revival of the carnivorous plant musical features powerful singing, engaging set designs, and a cleverly divided portrayal of Audrey II.
It would be possible to present Howard Ashman and Alan Menken’s 1982 musical, which centers on a bloodthirsty plant, with a high-tech, futuristic approach, evoking a “2026” atmosphere. However, the B-movie aesthetic, inherited from Roger Corman’s 1960 film, is a fundamental element of its charm, so why abandon it? Directed by Sarah Brigham for Northern Stage and Derby Theatre, this production is solid, though not particularly dazzling.
For the most part, it celebrates the low-budget, quirky absurdity of a story in which a mysterious shrub transforms the life of Seymour, a struggling florist in love with his co-worker, Audrey. This version is slightly toned down in its humor, and the plot’s more delicate themes, such as Audrey’s experience with domestic abuse, are also minimized.