In the 1980s, Lubaina Himid’s work was once exhibited in a corridor adjacent to the toilet facilities at the ICA. Today, she stands as Britain’s representative at the prestigious Venice Biennale, often referred to as the “art Olympics.” Despite this significant achievement, one might expect a sense of arriving, but Himid feels quite the opposite. The artist, poised to represent Great Britain at the pinnacle of the art world, maintains a serene demeanor, even as the Venice Biennale’s opening approaches. Currently at her home in Preston, Himid shares a moment of calm with her wife and frequent collaborator, Magda Stawarska, as tea is prepared and gardeners work in the backyard.
Himid’s dedication to her craft is evident in her surroundings. She has meticulously transformed her Victorian terrace home and an adjacent property, purchased and connected by knocking down an internal wall, into a spacious and light-filled studio. The studio exudes an atmosphere of serenity, with canvases artfully placed and paintbrushes organized in custom-made cabinetry, reflecting a sense of order and dedication.