‘Enough of this me me me’: Blake Morrison on memoir in the age of oversharing

In an era saturated with digital disclosures, from 'sad-fishing' on social media to deeply personal Substack essays, readers are constantly exposed to intensely confessional narratives. This pervasive trend raises a compelling question: is traditional autobiography fading away? The author notes a familiar paradox: daily encounters with strangers revealing their innermost thoughts through the simple act of reading.

Illustrative examples abound: a former sex addict candidly shares her journey through dependency, revealing how BDSM made her 'feel seen' and her eventual path to recovery. Similarly, an actor movingly recounts her profound grief following a miscarriage, describing a haunting delusion that her lost daughter was 'backstage,' hidden amongst costumes. Beyond these online revelations, published memoirs increasingly feature raw, first-person accounts of trauma, displacement, and heartbreak.

This pervasive trend of self-disclosure isn't confined to any particular group. As Martin Amis eloquently states in his memoir, *Experience*, we are all, in essence, crafting our personal narratives, whether through memoirs, apologies, résumés, or heartfelt cries.

However, the landscape of memoir writing has significantly evolved. Once a domain primarily for accomplished figures like politicians, generals, and film stars reflecting on illustrious careers, it has broadened dramatically. Now, as American journalist Lorraine Adams terms them, 'nobody memoirs' allow anyone with a compelling story – regardless of public stature – to share their experiences.

Unflinching candour is paramount, often despite potentially severe repercussions. Maggie Nelson, in *The Argonauts*, observes that 'Most writers I know nurse persistent fantasies about the horrible things – or the horrible thing – that will happen to them if and when they express themselves as they desire.' Nelson herself embodies this courage, directly addressing her fluidly gendered husband, Harry (who reacted with anger to an early draft), as she fearlessly delves into themes of identity, pregnancy, motherhood, and sexuality.