Jane Lapotaire was a sensation as Edith Piaf – and a majestic actor you’d never regret seeing on stage
Jane Lapotaire's depiction of the iconic French singer went beyond mere imitation, showcasing her profound artistic intelligence across works by Shakespeare, Chekhov, Ibsen, and other celebrated playwrights. Lapotaire, who recently passed away at 81, will forever be synonymous with her acclaimed performance in the titular role of Pam Gems's play, "Piaf." Debuting at Stratford's the Other Place in 1978, the production subsequently transferred to the West End and Broadway, where Lapotaire earned both an Olivier award and a Tony for her work. Her French heritage, stemming from a French mother and an upbringing by an English foster parent in Ipswich, seemed to predestine Lapotaire for the role of Edith Piaf. Yet, her portrayal was far more profound than a simple impersonation.
Instead, she revealed a woman whose artistry was deeply rooted in her fierce allegiance to her working-class origins, a woman who humbly referred to herself as "just a bit of slum rubbish." Crucially, her wide, engaging smile perfectly encapsulated Piaf's chaotic yet vibrant life, her boundless emotional generosity, and her indomitable spirit. This was undeniably a dream role, one that Lapotaire cherished and embraced with evident joy. However, the immense success of "Piaf" often overshadowed Lapotaire's broader identity as a truly classical actor – a rare talent most comfortable interpreting the works of Shakespeare, Sophocles, Ibsen, or Chekhov. While she also contributed significantly to television, notably rising to prominence in a series about Marie Curie, it was the theatrical stage where her innate intelligence and impeccable vocal control truly shone.
Fresh materials — Society news

Unseen Drawings by Tove Jansson, Creator of the Moomins, to Feature in London Exhibition
Previously unseen drawings by Tove Jansson, the Finnish artist and writer behind the globally popular Moomin books, will be exhibited in London. The Moomins, described as lovable trolls with hippopotamus snouts who live in harmony with nature, have sold up to 30 million copies since Jansson cr

Mr T: I Pity the Fool Review – A Rare Chance with an Electrifying Star… And They Blew It
Reflecting on childhood memories, one might ask when was the last time entertainment rivaled the joy of watching "The A-Team." For many, the documentary "Mr T: I Pity the Fool" evokes the iconic character of B.A. Baracus, the genius engineer and fan-favorite from the soldiers of fortu

Review: I Made You a Mixtape - Energetic Dorm Party Fun
"I Made You a Mixtape" is an undefinable, vibrant, and somewhat chaotic performance, unlike any other. As director Christie Lee Manning of Response Theatre Company explains, it's not strictly a play, musical, or dance show, despite being predominantly dance-focused with th

Chris Carter is mistaken if he thinks more gore will bring The X-Files: I Want to Believe back to life
While director's cuts are often lauded, "The X-Files: I Want to Believe – Vrach Frankenshteyn," a new version released on Disney+, is unlikely to change critical opinions of the original 2008 film. Director Chris Carter has emphasized the new version's graphic additions, b

Lara Ricote: Inkling Review – This Fizzy Stand-Up’s Smart New Set is Her Best Yet
Lara Ricote delivers a rich and enjoyable show with "Inkling," a significant step forward from her already impressive early work. The Mexican-American comedian remains as endearing as ever, her drive to connect with the audience evident in a performance exploring how to decipher life's messages,

France-Lise McGurn: The Art of Embracing Life's Complexities
Artist France-Lise McGurn embraces the intricate nature of life, acknowledging that while parties are enjoyable, they eventually end. Her latest exhibition at Dundee Contemporary Arts, titled "The Charm Offensive," marks a significant expansion of her dynamic and vital paintings to an